Sunday, August 31, 2014

Cover Reveal for KEEPING WATCH ~ A Love Inspired Suspense



Drum roll, please! 
I'm so pleased to reveal the cover for Keeping Watch, 
and to let you know the book is now available for pre-order.  
Release date is September 26th.

Available at: 

Several people have asked me how I came to write KEEPING WATCH.  A number of things played in to it.  Mostly, however, it was my admiration and respect for America's military men and women which prompted me to write this particular book.

The hero, Jake Rabb, is a genuine American hero.  He believes in America.  He believes in duty.  He believes in service.  He sacrificed much to serve his country as a Delta soldier, then comes home broken in body and spirit.  Danielle Barclay also believes in America, in duty, and in service.  She, too, is broken, although from different causes.

Many of us are broken in some manner.  Whether it is from an abusive background, from a debilitating disease, from the disappointments that this mortal life can heap upon us, we are broken.  Still, we keep marching forward, trying to make this world a better place, just as Jake and Dani do.

I hope in Jake and Dani that you will find pieces of yourself.  I hope that you will find yourself caught up in the developing love story of two broken souls.  I hope you will remember that the Father loves you more than you will ever know. 

With love and faith,
Jane

Thursday, August 28, 2014

KAIZEN—ONE (SMALL) STEP AT A TIME


           Kaizen is the Japanese term for the technique of taking small and steady steps to achieve big and lasting results.
 

A BRIEF HISTORY

            Despite its name, kaizen was first used in a systematic way during the Great Depression in America, though it was not called kaizen, as the nation fought its way out of joblessness and bank failures.  Then World War II threw the world into chaos, and American leaders realized how desperately the Allies needed military equipment.  The government created training courses called Training Within Industries (TWI) and offered them to corporate America.  Rather than suggesting the corporations use innovation, the TWI suggested managers use “continuous improvement.” 
            Managers were encouraged to look for the many small things that needed improvement.  Though some doubted that this “small potatoes” technique could produce results, they soon saw that small changes and improvements added up to big results.
            This philosophy was brought to Japan following the war, when General MacArthur’s occupation forces started the massive program of rebuilding the devastated country.   Since then, Japanese businesses have used this technique to achieve their business goals, making them a major player in the world economic campus.

WHAT KAIZEN CAN MEAN TO YOU

            Fine, you say, but what does that have to do with writing a book?  I’m not writing a Japanese philosophy book or an American history book!  Nor am I writing a how-to book for corporations. 
            You probably aren’t writing any of these books, but maybe you need to employ the kaizen philosophy to finish the book you are writing.
            Let’s talk a bit about kaizen first, then we’ll get into how you can use the techniques to start, write, and finish your book
            When individuals or businesses want to make a change, they typically look to innovation.  After all, isn’t innovation, with its sometimes shocking, even radical reform, the fastest and best way to shake things up and get things done?
            Not necessarily.
            Innovation can be great.  It can also be intimidating to the many of us who resist huge changes and major disruptions in our lives.
            Kaizen is the opposite of innovation.  While innovation is based upon widespread, even drastic change and vision, kaizen builds upon the steady steps that, when put all together, end up in something wonderful.
           
THE KAIZEN WAY:

1.                  Decide what task you want to do (write a book).  Break this task down into small, achievable steps.  Decide what kind of book you want to write—picture book, grade school reader, YA mystery, new adult, romance, whatever.  Decide upon the name of the protagonist.  Make a list of other characters.  Write down major plot points.  Take it one (small) step at a time.

2.                  Decide how much time you are willing to spend on this task each day.  Can you spend only seconds a day on your book?  Yes, I said seconds.  Kaizen is small steps, remember?  You will build on this, turning seconds into minutes, then hours.  If you decide you can spend only sixty seconds on your book, then seize that and rejoice in it.  You can spend those sixty seconds on asking your character questions.  (See below.)  You can spend them on deciding upon your character’s name. 

3.                  Spend that amount of time every day working toward your task, gradually building into longer amounts.  Some of you may have read a previous article of mine about writing a book one hundred words at a time.  This is much the same principle.  Do you remember the story of the tortoise and the hare?  The plodding tortoise eventually won the race.

4.                  Solve the small problems before they become big problems.  Do you have a problem with children occasionally interrupting your writing time?  Solve this before it becomes a daily or even hourly interruption.  Do you have a problem with finding even sixty seconds in your day for your writing?  Experiment with getting up a minute earlier every day.  That sounds ridiculous, doesn’t it, that getting up a minute earlier every day will enable you to write a book.

5.                  Reward yourself for each step you take.  Did you write an outline?  Reward yourself.  Did you spend the amount of time you set for yourself on your writing for the day?  Reward yourself again.  (I don’t recommend rewarding yourself with chocolate on a frequent basis.  It can be addictive, and the resulting pounds are difficult to get off!)

6.                  Recognize the small achievements, i.e. you wrote an outline or synopsis; you wrote the opening sentence; you completed the first scene; you completed the first chapter; you reached the halfway point.  Notice how these small achievements are gradually becoming bigger and bigger with every day.  You have momentum on your side as well as the feeling of satisfaction in meeting the small goals you’ve set yourself.

WRITING THE BOOK

            Now that you understand the basic premises of kaizen, start applying them to the actual writing of your book.
            Begin with asking small questions.  “What if I did this?  What if I did that?   Small questions evolve into small thoughts which evolve into small actions.  Small steps, if done in a steady but confident manner, can result in a huge reward.
            What questions can you ask yourself in starting a book?
            Don’t start with “What kind of character will appeal to my readers?”  That’s far too sweeping and broad and nebulous.  You don’t want sweeping and broad and nebulous.  You want small and concise and manageable.  What about asking yourself “What can my character do on the first page that will hook my readers?”  Or “What trait does my character most dislike about herself?” Or “What word most accurately defines my character?”  Or “What person in my character’s life had the most effect on him or her?”  Find the right small questions to ask your character to set you on the right track
            What next?
            Let’s tackle small thoughts.  Can your character have a recurring problem with a negative self-image that, try as might, he can’t shake?  What thought might be running through his mind?  “I’m a loser who will never amount to anything.”  This may lead you to ask questions of your character about his  background.  (Questions lead to thoughts and thoughts lead to more questions.)  What makes you think you’re a loser?  Who told you that?  Was it your parents?  An older sibling?  Classmates?  Friends who really weren’t friends at all?  A mean-spirited teacher who didn’t recognize the gifts inside you?
            What is at stake that his negative thoughts will keep him from achieving?   (Note:  you are thinking in small, bite-sized chunks, but your character should be dreaming big. Determining what is “big” to your character is distinctive to him:  his age, his background, his family constellation, his dreams.  Obviously what is big to a three-year-old will not be big to a sixteen-year-old.)
            What if he wants to earn a full-ride scholarship to a prestigious college and his negative self-image prevents him from asking his teacher for a letter of recommendation?  What if he doesn’t have the confidence to take the required test to apply for the scholarship?  What if he is intimidated by his high-achieving father and is too afraid to ask him to sign the permission slip to take the test?  Are you beginning to see how the small questions you asked yourself at the beginning of the process have lead to small thoughts which result in more questions and more thoughts.
            Where do these thoughts lead?
            To action!  Small actions, that is.
            What small action can your protagonist take that will push her forward on her journey?  Can she decide that she wants to try out for the cheerleading team?  Maybe her small step in that process is to take a gymnastics class.  Maybe it’s to ask a friend to coach her in the cheerleading moves?  Can she decide that she wants to change her boring look for a more up-to-date one?  Maybe her small step is to buy a new lip gloss.  Maybe it’s to get her hair cut.  Maybe it’s to seek out her aunt who always looks fabulous.
            Keep using the technique of asking small questions of your character, leading to small thoughts, and resulting in small actions.  Don’t expect more of your character than you expect of yourself.  Let her take the baby steps in achieving her goal just as your are taking baby steps in achieving yours of writing a book.

IN CONCLUSION

            When I first learned of kaizen, I was immediately intrigued.  As a person resistant to large changes, I knew I could make small changes to become more productive, more creative in my writing.  (I’ve also started applying it in other areas of my life.)
            Knowing that I don’t have to write 5,000 words in a day (yes, I know a writer who does that) freed me into knowing I could write 500 words in a day. 
            Employing kaizen techniques won’t change you or your writing overnight, but it can change your life—one step at a time.

            

Tuesday, July 15, 2014

Feedback: Where To Go




            Writers, especially new writers, need feedback.  Honest and helpful feedback can take our writing to the next level.  But where to find it?  Where do we go for constructive feedback that will enable us to strengthen and improve our writing?
           

Several sources come to mind:

            Contests.  Do your networking and find out about contests in your genre.  Do you have only a synopsis and several chapters?  Look for a contest that wants only a partial.  Do you have a full manuscript?  You can broaden your sights a bit and search for a contest that demands a full manuscript.  Be careful in reading the contest rules.  Most contests have fairly stringent rules in how to submit, what format to use, word length, etc.  If feedback is truly your goal, look for contests which promise critiques and suggestions, rather than just scores.  Though it’s wonderful to receive a top score, of course, it is more beneficial to receive an honest but constructive critique.  Look also at the judges.  Are they listed as published or unpublished?  Are any editors and/or agents you are interested in submitting to acting as judges?  You’ll want to consider those contests very seriously.

            Critique partner.  Finding a compatible critique partner is invaluable.  Look for one who is at a similar stage of writing as your own.  Look, as well, for one whose writing pace matches your own.  If you write one book a year and your critique partner puts out six, you’re likely to have problems. Look for a partner who can both give and accept criticism.  Examine your own ability to give and receive constructive criticism.  A partner who praises everything you write, deservedly or not, is probably not going to be much help to your writing.  On the other hand, a partner who is unrelentingly negative may well discourage you from writing ever again.  As in so many things, balance is key.  Check with your local library.  Writers frequently make friends with librarians.

            Critique group.  Once again, a critique group can be great. But…  (You knew that was coming, didn’t you?)  Beware of trying to “be all things to all people.”  Have you heard the definition of a camel?  A camel is a horse designed by a committee.  I’ve known of several writers (myself included) who tried to change their writing style and voice in accordance to all of the suggestions given at a group.  In the end, they (and I) ended up with a mishmash that read like a hodgepodge, reflecting neither their or my style and voice.  Accept what criticisms will strengthen your writing.  Then politely thank everyone for their help, whether or not you used their suggestions.  Don’t know where to go to find a group?  Again, check with your library.  Also, do an online search for a nearby writers’ group.

            Agent.  Agents can be a great source of feedback.  However, you need to be on the cusp of selling before even considering submitting to an agent.  Agents, like editors, are busy people who have a finite amount of time.  Don’t waste yours or theirs by submitting a manuscript that is far from polished.  As you did with contests, research your targeted agent.  Does he want a partial or a complete manuscript?  Does he accept manuscripts from unpublished authors?  Does he accept the kind of book you are writing?  Don’t reveal yourself to be a rank amateur by sending an inspirational book to an agent who accepts only contemporary, mainstream books.  Agents have long memories.  Don’t antagonize one by sending him something completely inappropriate.

            Okay, we’ve talked about possible places to find feedback and the importance of finding helpful, constructive feedback. Sometimes, we may become so desperate for it that we will go to extraordinary lengths for this feedback, even going so far as to paying a “literary service”
            There are people who advertise themselves as a “literary service” who promise to give feedback and critique  There are legitimate services, of course.  That said, understand that there are many unscrupulous services that offer a few generic suggestions and little else.  Don’t be misled by grandiose promises that such a service will “polish your manuscript, submit, and sell it,” all for a “modest” fee. 
            What is the best thing you can do for your writing?  Write the best book you can.  If you are unpublished, finish that first book.  It will be the most important book you ever write, whether or not it sells.  Find feedback along the way.  Then, give back.

            Repeat. 


Wednesday, July 2, 2014

SEVEN THINGS TO REMEMBER AT CONFERENCE

RWA Conference is coming up soon, July 23-26, and ACFW is Sept 25-27, in St. Louis.  So I'm going to post some articles about what I've learned about conferences.





               

            Attending a writers’ conference is a heady experience.  My first conference was especially exciting as I learned there that I had sold my first book.  It was a modest sale, but it remains the most important one in my career.
            Still, conference was  a stressful time.  Looking back, I wish I had known a few things to help me navigate the experience and come out at the other end feeling confident and happy instead of worn-out. 
            I came up with the following for anyone contemplating attending a conference:

                    Accept where you are in your writing career.  Are you a brand new writer?  Rejoice in that and take workshops to help you develop the craft of writing.  Is a writer you admire presenting a workshop?  Take her class.  Afterward, tell her how much you like her books.  No writer tires of hearing that someone loves her books.  Are you on the verge of being published?  Rejoice in that as well.  Take some classes on polishing your manuscript and how to submit to different publishing houses.  Are you published?  Once again, rejoice.  Perhaps it’s time you concentrated on classes about social media, networking, and marketing.  Don’t let yourself become complacent, but do know that writing is a journey, not a destination.

                   Leave the comparisons at home.  Do not compare yourself to other writers.  Their journey is theirs.  Your journey to publication is yours alone.  Comparisons are dangerous.  If your career isn’t as advanced as that of a friend, you may feel that you lack the talent and drive to succeed.  If your career is more advanced than that of others, you may feel smug or you may feel that they are resentful of your success.  Neither is a good place to be.  This goes back to the first tip of accepting yourself. 

                      Believe the best about your fellow attendees.  Don’t assume the woman who cut in front of you in the line to meet a best-selling author did so on purpose.  Chances are she didn’t realize she what she was doing.  Expect others to treat you in a respectful way and do the same for them.

                      Be helpful.  If you see someone who looks lost, take time to help him find the workshop he’s looking for.  I’ve never regretted taking time from my schedule to help someone else. Is there a woman sitting by herself who looks lonely?  Ask her to join you or your group.  Invite her to sit with you at the luncheon.  Be willing to help a harassed hostess find the lost forms she was to hand out.   

                    Spend more time listening than talking.  After all, you’re there to learn.  Listen to the workshop presenters.  Listen to the keynote speaker.  Listen to other writers who are talking about their works-in-progress.  Tuck away any gems of knowledge you glean and resolve to take them home and use them in your writing.   People will notice your respectful manner.  (They will also notice the attention hog who talks non-stop about herself and her writing but in a far different way.)  They may even decide that you are a great conversationalist!

                     Have a schedule of workshops to attend but be flexible.  It’s great to identify the workshops you feel might best benefit you and your career, but if you stumble upon something that looks promising, don’t pass it by because it wasn’t in your schedule.  Part of the fun of conference is the serendipity of learning new things, making new friends, going to a class you hadn’t planned on.  Take time out of the day to meet with friends from your writers’ chapter. 

                     Finally, relax.  Conference represents a significant commitment in money, time, and energy.  But don’t let it make you crazy.  Find your niche in the scheme of things.  Make some new friends.  Understand that you are there to learn and to give of yourself when you can.


            Conferences can be overwhelming.  Make your experience a memorable one by finding where you’re comfortable, then stretching yourself a bit.  Don’t try to do everything.  Expect to learn.  Then have fun!


Monday, June 23, 2014

New Book Coming Out



Can't wait to reveal the cover, but just have to just a bit longer.  


Keeping Watch, a Love Inspired Suspense. 
Release date is October.  
Can I wait that long to show it to you?

Keep Checking back to see.